Times Square

New Books

Unfair to Genius: The Strange and Litigious Career of Ira B. Arnstein
By Gary A. Rosen
Hardcover, 336 pages
Oxford University Press USA, $27.95

Description (from Oxford University Press):

The long and tortured career of Ira B. Arnstein, “the unrivaled king of copyright infringement plaintiffs,” opens a curious window into the evolution of copyright law in the United States. As Gary A. Rosen shows in this frequently funny and always entertaining history, the litigious Arnstein was a trenchant observer and most improbable participant in the transformation of not just copyright, but of American popular music itself.

 

A Naked Singularity
By Sergio de la Pava
Softcover, 688 pages
The University of Chicago Press, $18.00

Description (from the book’s website):

A novel wherein Casi, a young NYC public defender and son of Colombian immigrants, will suffer his first loss at trial then seek to reduce the sting of that defeat by using inside information to meticulously plan and execute a heist of illicit millions. Where said actions will not only come to the attention of a persistent police detective but also unleash a menacing giant bent on violent revenge; two pursuers Casi must then outrace while navigating a world expanded by theoretical physics to encompass the rise and fall of boxer Wilfred Benitez, Alabama’s death row, psych experiments involving Ralph Kramden, and enough comedic energy to power the stars.

 

One Times Square: A Century of Change at the Crossroads of the World
Written and illustrated by Joe McKendry
Hardcover, 64 pages, Ages 6-10
David R. Godine, $19.95

Description (from Publisher’s Weekly review):

In this spectacular album of crisp sketches and meticulous paintings styled after archival and current photographs, McKendry (Beneath the Streets of Boston) serves up a fascinating biography of One Times Square, the longstanding building at the heart of Manhattan. McKendry chronicles the development of the intersection of Broadway and Seventh Avenue from its earliest incarnation as Long Acre Square, home to “[c]arriage builders, livery stables, and a few coal yards,” to a lively hub for theater, crime-ridden neighborhood, and contemporary rebirth as an entertainment attraction and advertising mecca.

 

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A drawing by F. O. C. Darley published in Harper's Weekly on January 1, 1859 (image and text: HarpWeek via The New York Times) The caption for this untitled cartoon reads: Mrs. Pegu, and drawing-room, are all laid out in state to receive New Year's calls. Thirty-two young gentlemen make a brief appearance at the door, and recite the following shibboleth: "How d'ye do, Mrs. Pegu. Happy New Year. Can't stay a minute. Made seventy-six calls this morning; got thirty more to make. Adoo! Adoo!" The young gentlemen vanish, to be succeeded by others.

Although I’ve lived in New York City my entire life, I have never been to Times Square on New Year’s eve.  The idea of standing out in the cold with close to a million others to ring in the new year sounds dreadfully exhausting to me, but perhaps not quite as exhausting as the old New Year’s tradition of “calling” or “visiting.”

In 1907, Adolph Ochs, publisher of the New York Times, dropped the first illuminated ball from the flagpole on the recently constructed New York Times Building that was located in the newly renamed Times Square and started a tradition that would last over a century.  Predating this tradition, according to The New York Times Learning Network’s On This Day, nineteenth century New Yorkers practiced another ritual that seems to have been long forgotten:

New Year’s Day was traditionally considered the best time of the year for renewing, reviving, or reaffirming friendships. During the nineteenth century, it was the custom of urban gentlemen to pay formal visits to the households of friends and relatives on that holiday. Gentlemen were expected to dress appropriately in morning costume, consisting of a dark coat, vest and tie, dark or light pants, and somber-colored gloves. Receiving the gentlemen callers were the ladies of the house, dressed in their sartorial finery or, occasionally, in the costume of famous female figures in history or myth. Read the rest of this entry »

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