NYC subway

On October 27, 1904, New York City’s subway system was born with the opening of the Interborough Rapid Transit (IRT).  In celebration of this event, a commemorative book entitled Interborough Rapid Transit: The New York Subway—Its Construction and Equipment, in an edition limited to 200 copies, was distributed to high-ranking guests.  This illustrated volume details the construction of the subway tunnel, considered to be the first subway line in New York.

That it was the first subway line  is almost true.  Although the IRT was the first line in our current subway system, decades before it opened, there was another subway tunnel that ran under lower Broadway from Warren to Murray Street that was operated by the Beach Pneumatic Transit Company.  Yes, you read that correctly.  New York’s very first subway ran, not on electrical power as it does today, but on wind power through a pneumatic tube. Read the rest of this entry »

Tags: , , ,

For a general appreciation of where you are, it helps to know who came before you and what was done.  Especially if it helps you now.
—Philip Copp in “One Track Mind”

In 1978, Philip Copp intended to spend a month working on an article about the art in New York City subway stations that he hoped to sell to a magazine.  Today, thirty-four years later, Copp, also known as Philip Ashforth Coppola, a nom de plume of sorts, has probably not spent a day during which he did not work on this “article,” now a multi-volume collection of books, some self-published in limited edition and some in manuscript form.

As he discovered the artistic riches displayed in each station, Copp was overcome by the need to record what all the engineers, architects, artisans, and artists had done, before their work faded and they were forgotten forever.  The environment underground, vandalism, and, most of all, time is eating away at the intricate mosaic designs that adorn the walls of each and every station, and many are being replaced by plain white tiles that forever erase any trace of what was once there. Read the rest of this entry »

Tags: , , , ,

To go along with our series of posts about the subway, this week’s Please Explain on WNYC’s The Leonard Lopate Show about the NYC subways is worth a listen: http://www.wnyc.org/shows/lopate/2012/mar/02/please-explain-subway/

Tags: , ,

Massimo Vignelli's 1972 New York City Subway Map (image: nycsubway.org)

This fall will mark the fortieth anniversary of the Vignelli Subway Map.  Used by the Metropolitan Transit Authority (MTA) from 1972 until 1979, this map, designed by Massimo Vignelli, who, along with Bob Noorda, is also responsible for the unified signage design of our subway system.

Many of you may remember the Vignelli Map, with its color coded train lines that ran at 45 and 90 degrees, that abstracted the subway system into a series of lines and dots.  Visually elegant, the map takes geographic liberties, for example, representing Central Park as a square when it is actually three times long as it is wide, thereby creating visual clarity by foregoing geographic clarity.  Vignelli’s map was heavily influenced by Henry Beck’s legendary 1933 London Underground Map, which also tames the tangled streets of London by reducing it to colored lines with no direct reference to physical geography.  Vignelli’s East River is beige, not blue, and Central Park is grey, not green.  In the end, the map was deemed too confusing to riders and it was replaced in 1979 by a more literal representation of the subway system designed by Michael Hertz, whose basic design is still used today.

A detail from Michael Hertz's 1979 Subway Map (image: The Gothamist)

One key reason that the Vignelli Map did not last in New York City is explained by Michael Beiruit in his article “Mr. Vignelli’s Map” in Design Observer:

The problem, of course, was that Vignelli’s system logical system [sic] came into conflict with another, equally logical system: the 1811 Commissioners’ Plan for Manhattan. …[T]he orthoginal grid introduced by the Commissioners’ Plan set out its own ordered system of streets and avenues that has become second nature to New Yorkers. …[B]ecause of the simplicity of the Manhattan street grid, every New Yorker knows that the 28th Street number 6 train stops exactly six blocks south and four blocks east of Penn Station. As a result, the geographical liberties that Vignelli took with the streets of New York were immediately noticeable, and commuters without a taste for graphic poetry cried foul.

Perhaps, then, the mistake was calling it a “map” to begin with. Vignelli’s design is more of a diagram, where the location of what lies above, namely streets and rivers and parks, is of no consequence. Read the rest of this entry »

Tags: , , , ,

Photo by Walker Evans from MANY ARE CALLED

In the late-1930’s, while Walker Evans and James Agee were collaborating on their groundbreaking work, Let Us Now Praise Famous Men (1941), they were concurrently at work on a lesser-known but equally moving book entitled Many Are Called, a photographic study of New York City subway passengers made with a hidden camera.

Photo by Walker Evans in MANY ARE CALLED

For one reason or another, the book was not published until 1966, when it quickly went out of print, and was reprinted by Yale University Press in 2004, the centenary year of the subway system. The photos, all taken during the winter so that Evans could hide his camera under his coat, provide a portrait of everyday New Yorkers, young and old, rich and poor, as they made their way through the city on the social equalizer that is the New York City subway system. Read the rest of this entry »

Tags: , , , ,