Here’s a roundup of NEW(ish) New York books:
From Tin House:
Walt Whitman’s iconic collection of poems, Leaves of Grass, has earned a reputation as a sacred American text. Whitman himself made such comparisons, going so far as to use biblical verse as a model for his own. So it’s only appropriate that artist and illustrator Allen Crawford has chosen to illuminate—like medieval monks with their own holy scriptures—Whitman’s masterpiece and the core of his poetic vision, “Song of Myself.” Crawford has turned the original sixty-page poem from Whitman’s 1855 edition into a sprawling 234-page work of art. The handwritten text and illustrations intermingle in a way that’s both surprising and wholly in tune with the spirit of the poem—they’re exuberant, rough, and wild. Whitman Illuminated: Song of Myself is a sensational reading experience, an artifact in its own right, and a masterful tribute to the Good Gray Poet.
From the publisher:
As a kid growing up in Manhattan, William Helmreich played a game with his father they called “Last Stop.” They would pick a subway line and ride it to its final destination, and explore the neighborhood there. Decades later, Helmreich teaches university courses about New York, and his love for exploring the city is as strong as ever.
Putting his feet to the test, he decided that the only way to truly understand New York was to walk virtually every block of all five boroughs–an astonishing 6,000 miles. His epic journey lasted four years and took him to every corner of Manhattan, Brooklyn, Queens, the Bronx, and Staten Island. Helmreich spoke with hundreds of New Yorkers from every part of the globe and from every walk of life, including Mayor Michael Bloomberg and former mayors Rudolph Giuliani, David Dinkins, and Edward Koch. Their stories and his are the subject of this captivating and highly original book.
We meet the Guyanese immigrant who grows beautiful flowers outside his modest Queens residence in order to always remember the homeland he left behind, the Brooklyn-raised grandchild of Italian immigrants who illuminates a window of his brownstone with the family’s old neon grocery-store sign, and many, many others. Helmreich draws on firsthand insights to examine essential aspects of urban social life such as ethnicity, gentrification, and the use of space. He finds that to be a New Yorker is to struggle to understand the place and to make a life that is as highly local as it is dynamically cosmopolitan. Truly unforgettable, The New York Nobody Knows will forever change how you view the world’s greatest city.
Edited by Sari BottonSeal Press
Goodbye to All That is a collection of essays about loving and leaving the magical city of New York. Inspired by Joan Didions well-loved essay by the same name, this anthology features the experiences of 28 women for whom the magic of the city has worn off—whether because of loneliness after many friends marry, have kids, and head to the suburbs; jadedness about their careers; or difficulty finding true love in a place where everyone is always looking to trade up to a better mate, a better job, a better apartment.
With contributions from authors such as Cheryl Strayed, Ann Hood, Dani Shapiro, and Emma Straub, this collection is relatable to anyone who arrived with stars in their eyes, hoping to make it. Each essay reveals the authors own unique relationship with New York City, and together they encompass the complicated emotions all New Yorkers have about leaving.
From Kirkus Reviews:
Astonished to hear that their father had a drug-dealing brother in New York, newly orphaned Bob and his live-wire little sister, Marie Claire (aka Rat), hitchhike to the city from Winnipeg. For lack of a better plan, they wander Manhattan and the Bronx asking passersby if they know him. This strategy leads to encounters with a host of colorful city types, notably a pair of softhearted con men and a lonely rising rap star, plus plenty of terrific street theater and nights spent sleeping in, alternately, Central Park and a hyperluxurious apartment. And ultimately the children’s search is successful! Their information about Uncle Jerome is even (more or less) accurate, as he turns out to be the CEO of a huge pharmaceutical company. Though many of Hughes’ characters will sink emotional hooks into readers, Rat takes and earns center stage by glibly charming the pants off every adult, showing a winning mix of quick wits and vulnerability, and taking wild flights of imagination—her explanation of the (subtle) differences between a Windigo and a pedophile being a particular highlight. So appealing are they that when one of them suffers a tremendous blow, readers will feel it as intensely as the other characters. The dizzying highs intensify but also ameliorate that devastating low. Middle grade; ages 9 to 12.
by Elizabeth Bluemle, illustrated by G. Brian KarasCandlewick Press
From Publisher’s Weekly:
In toe-tapping, jazz-chant verse, author, bookseller, and PW blogger Bluemle (How Do You Wokka-Wokka?) writes about the way a sudden thunderstorm “makes friends/ of strangers.” At the story’s start, two boys in a playground gaze through iron railings at a girl in a yellow dress hurrying to keep up with her father. On an ordinary day she’d disappear into the crowd, but when the rain starts pelting down, the boys, the girl and her father, and half a dozen others dash for the subway station: “Feet wetter?/ You’d better/ go down/ underground,/ where the water/can’t getcha./ You betcha.” Over photographic images of subway fixtures, Karas (The Apple Orchard Riddle) draws people chatting, sharing pizza, and shrinking away as their dogs shake themselves off, balancing the force of the storm with the warmth of city-dwellers sharing an unexpected break in their day. Bluemle’s story unfolds on a scale just right for preschoolers, with plenty of hullaballoo, subtle attention to the senses, and an affirmation of the way misfortune can lead to small miracles. Ages 3–7.